The goal of this lab is to gain knowledge on the processing and identification of features on hyperspectral remotely sensed data. This lab will go through image spectrometry, hyperspectral images, and selected spectral processing basics. Hyperspectral remote sensing is used when the user needs to have a more specific band with for looking at things like different type of plants. That requires having very specific band widths.
Methods:
This lab was done using the ENVI program. An image was brought in and a few bands were examined specifically for a few predefined areas. These areas areas looking at different types of minerals from around the area of interest. The plots below show the spectral signature of each of these minerals.
Next step is to compare the actual spectral signatures with signatures within the spectral library for each of these minerals. The image below shows the spectral signatures from the library to the signatures collected from the image. It can be seen that the actual signatures have less fluctuation in the shorter bands. This is most likely due to the signatures from the image having atmospheric scattering and absorption.
In order to atmospherically correct this images a process called FLAASH will be used. This is a tool within ENVI. The following images are different land cover areas and their spectral profiles before correction and after.
Vegetation |
Urban |
Water |
The last thing done in this lab was to use a tool called Vegetation Index Calculator. This tool allows the user to show what areas have stressed vegetation and areas that do not. Many different types of analysis can be done using the same process as the Vegetation Index Calculator, such as Fire Fuel, Ag Stress and Forest health.
Results:
The following image is the results of the forest stress tool. The areas in red are areas that are stressed and areas in blue are not. The blue areas on the left of the image are a forest and the area on the right is urban area. That explains much of the reasons why those areas are stressed.
AgStress |
Sources:
Cyril Wilson